Playlista — ERRORSMITH

Playlisty

Powroty nie zawsze bywają sukcesywne – jednak w przypadku producenta o pseudonimie Errorsmith to stwierdzenie w zupełności się nie sprawdza. Niemiecki artysta Erik Wiegand po czternastu latach wyszedł ze swej albumowej stagnacji, prezentując pod skrzydłami berlińskiej wytwórni PAN krążek „Superlative Fatigue”, który łącząc techno i digital dancehall przedstawia zupełnie nowe oblicze tego, jak może brzmieć beztroska, lekkość i zabawa nie zapominając o dokładnej konstrukcji utworów. Wkrótce wystąpi w krakowskim klubie Szpitalna 1, a później na Tauron Nowa Muzyka w Katowicach. Zanim jednak usłyszycie go na żywo, poznajcie jego inspiracje, które przygotował  w specjalnej playliście tylko dla Was!

 

 

 

"Here is music that i like. Maybe you will like it too. In chronological order. 

 


Raymond Scott was accomplished composer, band leader and pianist who also built his own instruments to make early electronic music. This track seems to be just a demonstration of one his devices, with him announcing occuring pattern changes but it is pretty funky. I also recommend watching the documentary movie by his son called "Deconstructing Dad: The Music, Machines and Mystery of Raymond Scott”.

 

 

 

 


Yodelling can be very deep and emotionally charged. 

 

 

 

 


This is a 1977 eddy grant production hidden on a b-side, but it’s timeless classic abtly named ‘time warp’.

 

 

 

 


From one of my all time favorite albums. this song gets me everytime, causing goosebumps and tears of joy.

 

 

 

 


The first albums of mark stewart and maffia were very influential to me. "The whole studio as instrument” approach of dub is applied to a mix of industrial, hip hop and funk in a harsh electronic way.

 

 

 

 


One of many instrumentals produced by ward 21 that i like. That was their first. One of the sickest.

 

 

 

 


Fiedel is my partner in MMM, and a longtime Berghain resident dj. His ostgut mix is out soon. This was his  first solo release. The concept of this compilation was that all artists use recordings from inside the empty Berghain building by Emika. So expect metal on metal sounds with big reverbs. His newer productions are less industrial but dope too.    

 

 

 

 


Must be one of the first superficie releases. He made also one of my favorite tracks of 2017 called fantazma.

 

 

BANDCAMP link

 

 


Rozzma says "I describe my sound as rave bass from a non existing rave scene in Cairo.” 

 

 

 

 


Here is a short mix by qeei from Buenos Aires which showcases music from her trrueno collective including some unreleased tracks of her own."

 

 

SOUNDCLOUD link